This is the album to first experience EHG, their fast album, where. Eyehategod have a formula and they stick with it, and with albums like these it is no wonder they are renowned as among the best in the sludge genre. No other band has EVER been able to portray pain and depression like this before. To sum it up, ‘Take as Needed for Pain’ is quite simply a sludge metal masterpiece. The only down point is the seven minute track ‘Disturbance’, which although providing a break from the real songs, gets boring quickly due to it consisting of random noises. Then there are the songs with drug influenced lyrical themes such as ‘Crimes Against Skin’, which outdoes many Stoner Rock bands in its downtuned simplicity and tortured lyrical delivery. Then there are the shorter, faster paced tracks such as Sister Fucker, which although being faster paced are still heavier than perhaps nearly every other doom band out there. ![]() Heavy, detuned, and bluesy guitar riffs dominate the band's discography. On the album we have the lengthy, lethargic seven minute tracks which continually bludgeoning the listener, only stopping for some guitar noises here and there. Eyehategod have noted Melvins, Carnivore, The Obsessed, Discharge, Black Flag, Corrosion of Conformity, Black Sabbath, Celtic Frost, Confessor and Saint Vitus as key influences to their sound. The drumming is loose and barely keeps the band together, while bass plods along, each note hitting your head with intensity. The riffing pummels the listener to the ground while the tortured screams of Michael Williams sound like a desperate, barely alive drug addict begging for another high. Each track on here is relentless in its heaviness. The best way to describe the bands sound is a drugged up, alcohol soaked, punishing slab of Sludge Metal. ![]() ‘Take as Needed for Pain’ is the second release from this band, and is equal to and in some cases surpasses what we saw on ‘In the Name of Suffering’. They helped kick start the whole sludge movement in New Orleans, and furthermore set the basis of many sludge albums to follow. Each one of their albums is a brutal slab of sludgy, downtuned riffs that would in some cases make Iommi jealous. The bottom line is that Take as Needed for Pain is one of the finest sludge albums ever made. To read the entire article, purchase this issue from our online store.Eyehategod are seen as godfathers and the masters of the sludge metal genre for a reason. What makes this an interesting listen isn’t musical diversity, but the unique blending of slow and upbeat sections and the magical chemistry between slow sludgy riffage and the blues. Song titles like “Sister Fucker” (parts one and two), “White Nigger,” and “Kill Your Boss” may have launched the band headlong into a shitstorm of cultural controversy and confusion that follows them to this day, but then again, that was always kind of the idea. The song 'Take As Needed For Pain' is a cover song from the metal band Eyehategod that Hank3 turned into a 10-minute epic for the tribute album For The Sick: A Tribute to Eyehategod released in 2007 and recorded under the name The Unholy 3, which is the name of one of Hank3s side projects. A series of buzzing, lurching dirges steeped in feedback and contempt, Take as Needed for Pain was released in 1993, spawning countless imitators as vocalist Mike Williams, drummer Joey LaCaze, guitarist Jimmy Bower (also of Down and Superjoint Ritual), guitarist Brian Patton (also of Soilent Green), and then-bassist Marc Schultz lashed a Sabbathian groove to the muck-ridden undertow of the Melvins’ Gluey Porch Treatments, drowned the whole vicious slab in disorienting noise, and proceeded to give everybody the finger. ![]() When Century Media re-released it two years later, they also commissioned Eyehategod to make what would arguably become the band’s defining album. The band’s first album, In the Name of Suffering-a lo-fi, doom-ridden disturbance bashed out on a broken drum kit and cheap guitars with missing strings-was originally released on the French label Intellectual Convulsion in 1990. The making of Eyehategod’s “Take as Needed for Pain” released: 1993 label: Century Media -–ĭrugs, disease, crime, abuse, poverty, paranoia, drugs, alcohol, alcohol, alcohol: Such are the cornerstones of Eyehategod’s time-honored New Orleans aesthetic.
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